Audience/Performer/Lens (after Dan Graham) performance at LIMA Amsterdam

 

 

 

 

 

 

 

https://www.li-ma.nl/lima/news/unfold-audienceperformermirror

On the 15th of January 2020 LIMA invites Keren Cytter, Jan Robert Leegte and Emile Zile to present their version of Dan Graham’s performance and video work Audience/Performer/Mirror. Reinterpretations by Adad Hannah, Ian Forsyth & Jane Pollard, and Judith Hopf will be exhibited as well.The works together show the possibilities of reinterpretation and give an artistic anthology, and criticism, of the work of Graham. Gabriella Giannachi (researcher & professor of Performance and New Media at the University of Exeter), Annet Dekker (curator & researcher, assistant Professor of Media Studies University of Amsterdam) and Willem van Weelden (curator & researcher, tutor media theory Gerrit Rietveld Academie,) will reflect upon reinterpretation as both an artistic as preservation strategy. Moderated by art historian & dramaturgist Suzanne Sanders.

New light on iconic work
LIMA presents a new edition of UNFOLD, focusing on reinterpretation and Dan Graham’s iconic work Audience/Performer/Mirror, 1977, De Appel, Amsterdam. During this performance, Graham describes his own actions and the reaction of the audience. The work is questioning who or what motivates who to act and respond and is a reflection on time and direct feedback. All of this happens largely through language: Graham’s flow of words is unceasing, and betrays his background in stand-up comedy. The gaze of the camera, in addition to that of Graham and the mirror, plays an important role in this. The work is effective and layered in all its simplicity and has become an iconic work. The analogy that Graham uses in the work, both at the level of technology and that of language and physicality, has invited many artists to make a homage or a new version of the work. What does Audience / Performer / Mirror stand for today? How is the work experienced; which part of the work is still relevant, what needs to be ‘updated’? LIMA invites Jan Robert Leegte and Emile Zile to translate the work to contemporary time and its digital techniques. Keren Cytter is invited to present her subtle feminist critique on the work. UNFOLD: Audience/Performer/Mirror offers the opportunity to think about reinterpretation and provides insight into both their working methods and the lasting (attraction) power of Dan Graham’s work. This core may be somewhere else for every artist, and each new work will highlight a different aspect of the ‘original’.

About UNFOLD
Reinterpretation is a core concept in music, dance and theater. Every re-performance is a translation into a new, often contemporary, context. Re-performing a work based on documentation, a script, memory or score is an essential part of artistic practice. For complex works in the field of media art and digital art, this is not common, but just as urgent. Reinterpretation of media art can contribute to the preservation and better understanding of the work. Since 2016, LIMA has put reinterpretation on the map as an artistic and conservation strategy. In the interdisciplinary and international UNFOLD project contextualizing, documenting, analyzing, understanding, embodiment and transferring digital culture are central. Relevant questions are: What is the core and production method of a work? Which techniques are used in which context? How do we translate this artistic legacy, practice and knowledge to the next generation? How do reflect and learn from different interdisciplinary practises?

Programme
5 pm Doors open
5.30 – 6.15 pm Presentation Rietveld Students (*free entrance)
6.30 pm Opening exhibition (in collaboration with De Appel): Dan Graham’s iconic work and documentation material of Audience/Performer/Mirror, 1977 De Appel, Amsterdam. Reinterpretations by Adad Hannah, Performer Audience Remake, 2008; Ian Forsyth & Jane Pollard, Audience Performer Fuck Off, 2009, Judith Hopf, What Do You Look Like / A Crypto Demonic Mystery, 2006. (*free entrance)
6.30 – 9 pm Performances Keren Cytter (Performer/Audience/Mirror, 2012), Miron Galić reenacting Cursor, 2016 in Jan Robert Leegte’s Mirror (2020) and Emile Zile (Performer/Audience/Lens, 2018) + artist talks followed by a panel discussion with: Gabriella Giannachi, Annet Dekker and Willem van Weelden moderated by Suzanne Sanders (*a ticket is required for this part of the program).

Event
UNFOLD: Audience/Performer/Mirror
With works and contributions by Dan Graham, Keren Cytter, Emile Zile, Jan Robert Leegte, Gabriella Giannachi, Annet Dekker, Willem van Weelden, Adad Hannah, Ian Forsyth & Jane Pollard, Judith Hopf and students from the Rietveld Academy.
Wednesday 15 January, 2020
5 pm Doors open
5.30 – 6.15 pm Presentation Rietveld Students (free entrance)
6.30 pm Opening exhibition (free entrance)
6.30 – 9 pm Performances & artist talks Keren Cytter, Jan Robert Leegte and Emile Zile, followed by panel discussion (a ticket is required for this part of the program)
Entrance: € 7,50 / 5,- /Free with Cineville
LIMA/LAB111, Arie Biemondstraat 111, Amsterdam
Language: English
Facebook event

Exhibition
UNFOLD: Audience/Performer/Mirror (in collaboration with De Appel)
With works by Dan Graham, Adad Hannah, Ian Forsyth & Jane Pollard and Judith Hopf.
15 – 22 January 2020
Every day from 12 – 23 pm, entrance is free
LIMA/LAB111, Arie Biemondstraat 111, Amsterdam

Graphic design by Bin Koh.

UNFOLD Audience/Performer/Mirror is supported by De Appel, Rietveld Academie and the Mondrian Fund and is part of the collaborative research project Documenting Digital Art, supported by the Arts & Humanities Research Council.

performance Modern Art Oxford

This Image is No Longer Available is a one-day event presenting a set of artist works, live-streamed performances, screenings and an open talks programme from researchers, artists, curators and visitors to discuss digital space and online presence. It is the culmination of our Activating our Archives project and is supported by the Digital Artist Residency.

Feat. Zarina Muhammad @zrnmhmmd and Akash Chohan, Mishka Henner @mishkahenner, Emile Zile @emilezile, Tom Milnes @tommilnes, Kathryn Eccles (Oxford Internet Institute) @oiioxford, Hermonie Spriggs (UCL Multimedia Anthropology Lab) @ucl_mal, Elliott Burns (Off Site Project) @offsiteproject1989, Digital Artist Residency (DAR), Sunil Shah @sunilphoto and Activating our Archives participants.

[…] 13.00 – 14.00 Live streamed performance from Australia by artist Emile Zile

Saturday, 27 April 2019 from 11:00-16:00

Performer / Audience / Lens (after Dan Graham)

On Saturday 11 August I’ll be performing a version of Dan Graham’s
1975 work; Performer / Audience / Mirror.

A performer faces a seated audience. Behind the performer, covering the back wall (parallel to the frontal view of the seated audience), is a mirror reflecting the audience.

Performer / Audience / Lens (after Dan Graham)
Emile Zile 2018

Export Happenings is a part of the MEL/NYC program, coinciding with the
2018 Melbourne Winter Masterpieces exhibition presented by the National
Gallery of Victoria in collaboration with The Museum of Modern Art in
New York.

http://nextwave.org.au/event/14471/

Emile Zile and Philip Brophy in conversation

Join Emile Zile and Philip Brophy for a conversational and unmoderated exchange as they select, screen and discuss each other’s video work. Both artists move horizontally between visual art, filmmaking and performance, working beyond the confines of strict categorisation. Their methods and tools are post-cinematic: scavenging and re-presenting the moving image material that surrounds them.

11 September 2017, 6.30pm
Free entry, bookings requested

Australian Centre for the Moving Image, Federation Square Melbourne

https://www.acmi.net.au/events/emile-zile-and-philip-brophy/

 

Emile Zile and Sven Lütticken in conversation

Within the framework of the exhibition “Liquid Cooled: new works by Emile Zile”, LIMA organises a public screening and discussion night. The artist Emile Zile and art historian and critic Sven Lütticken will talk about Zile’s work within the context of the LIMA Collection – ranging from early gems from the seventies (Douglas Davis, Dan Graham) to Zile’s current body of work. Performance on television, social media and the performativity of the mass media will be recurrent themes.

Entrance: € 7,50 / 5,-
Free entrance with: Cineville pass
Language: English

LIMA
Arie Biemondstraat 111
1054 PD Amsterdam
The Netherlands
+31(0)20 389 20 30
http://www.li-ma.nl

https://www.facebook.com/events/356797314716082

This programme is part of the exhibition Liquid Cooled: new works by Emile Zile
LIMA is proud to present its first exhibition of new works by the Australian artist Emile Zile. Liquid Cooled will present prints, video works and a performance by the artist who currently has a residency at the Rijksakademie voor Beeldende Kunsten.

Performance at Castrum Peregrini

Memory Machine II – A series of exhibitions, debates, performances & publications on cultural memory & identity, initiated by Castrum Peregrini Amsterdam.

Exhibition & public program

Things to Remember
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27 February – 25 March

With works by Mehraneh Atashi, Dayna Casey, Amie Dicke, Nickel van Duijvenboden, DNK Ensemble, Maria Guggenbichler with Margit de Sad, Romy A. More, Egbert Alejandro Martina and others, Jonas Lund, Antoine Viviani, Emile Zile. Curated by Radna Rumping

How are digital media, endless storage space and new ways of communicating shaping the way we capture, share and retrieve our personal memories? The things we want to remember, do they still fit in a shoebox or are they floating around somewhere in ‘the cloud’ amongst the thousands of e-mails and images that our external memory can contain nowadays?

Saturday 27 February 2016, 16.00 – 17.30

Free entrance. A conversation with Amie Dicke, Simultaneous/Synchronous (Song) Performance DNK Ensemble (Koen Nutters & Seamus Cater), Performance Emile Zile

Things-To-Remember-at-Castrum-Peregrini-23 Things-To-Remember-in-colour-at-Castrum-Peregrini-24 Things-To-Remember-in-colour-at-Castrum-Peregrini-25

Panel discussion at C3 Melbourne

Unpacking Sound, Text & Speech

This talk and presentation will look at the staging of sound based works in gallery and non-gallery contexts, and the relationship between sound, language and visual representation. Featuring Emile Zile, Speak Percussion’s Eugene Ughetti and their Artist-in-Residence, Kaylie Melville, Alice Hui-Sheng Chang and Philip Samartzis (facilitator).

01C3TALKS2015

http://www.c3artspace.com.au/talk-3-july-1st/
http://abbotsfordconvent.com.au/whats-on/events-exhibitions/c3-talks-unpacking-sound-text-speech

Bill Drummond in Amsterdam

Bill Drummond of the KLF / Timelords / K Foundation was in Amsterdam as guest of the Art Reserve Bank, an alternate currency project based in the Amsterdam Zuidas financial district.

We were The 17, a vocal project that has no audience only participants. A human ring around the financial district where one person after another would scream the word MONEY.

Waiting for the scream to come around, you are left thinking about the pre-crisis office architecture surrounding you, the consensual hallucination that art and banking is, the power of the voice and the trust involved in such a performance. When the scream comes to you it is more of a football chant or rural command, not singing, not melodious. As it passes it feels like the unity of a dance party, solitary individuals united by a moment. The energy of communal experience, a line that passes through acid house, singing in taverns, mosh pits, sport chanting and choirs. The voice – the very first thing and the very last thing.

The White Room was the first ‘grown up’ album I bought. The mythic qualities of the KLF seduced me. Masked pop stars. Sample heavy production. Symbolism and shadow. Read Drummond’s book 45. It’s a self-help text for me, in the same hallowed territory as my viewing of Tarkovsky’s Stalker every six months. Two weeks ago I came across a plastic-wrapped copy of 45 at a small departure lounge shop in Sandakan airport Malaysian Borneo. Sitting amongst Malay fashion and beauty magazines, looking solitary and bemused, it was some kind of omen. I made a photograph of it and took it with me to Amsterdam.