Subtitle Kino (Färgfabriken) performance in Stockholm.

Subtitle Kino (Färgfabriken)
August 18-19 2012
http://fargfabriken.se/en/right-now/item/613-south-söder

Across one weekend in August, Australian contemporary art initiative BUS Projects will collaborate with Färgfabriken to present an international mobile cinema and contemporary art performance space. Making use of a parked van converted into a mobile event space, SOUTH/SÖDER is curated by Jared Davis and will present a new performative, video and sound-based work in the public site of Liljeholmstorget.

This project draws from an ongoing series of mobile contemporary art and performance events initiated by BUS Projects, that have seen works presented in public sites in Melbourne (State of Design Festival, 2011), Athens (ReMap3, 2011) and Sydney (SafARI, 2012).

In Search Of New Alliances

Five Production Company Logos in 3D showing in a group show at P.ART Zwolle,

curated by Edwin Stolk/The Organisation.

Participating artists:

MERLIJN TWAALFHOVEN (NL)
ISABELLE SCHILTZ (BE)
ROBBERT WEIDE (NL)
EMILE ZILE (AU)
SEAN HANNAN (NL)
MARIJKE UITTENBROEK (NL)
HRISTINA TASHEVA (BG)
EDWIN STOLK (NL)

22 JANUARY – 4 MARCH 2012

http://insearchofnewalliances.blogspot.com

Bring Your Own Light Emitting Visual Display Technology

One-night only. Powerboards and extension leads. Pixels and beams.

Featuring: Gavan Blau, Sally Blenheim, Ry David Bradley, Amiel Courtin-Wilson, Greatest Hits, Ian Haig, Joe Hamilton, Sam Hancocks, Sean Healy, Christopher LG Hill, Amelia Hirschauer, Spencer Lai, Matt Leaf, Maximum Rim, Rowan McNaught, Dale Nason, Antuong Nguyen + Pageant,  Joshua Petherick, Johann Rashid, Sibling, Soda Jerk, Swanbrero, Nic Tammens, Alex Vivian, Oliver van der Lugt, Yandell Walton, Marcin Wojcik, Warran Wright, Wikileaks, Emile Zile

BYOB MELBOURNE
Level 1, 18 Ellis Street, South Yarra
Friday, December 16 2011 7-11pm

Sandberg Institute at NIMk #3

On Friday, January 14 2011 the Netherlands Media Art Institute (NIMk) will host a night profiling the work of Sandberg Institute students from all departments. Theus Zwakhals of NIMk and Emile Zile (ex-S.I. Fine Arts, emilezile.com) are curating and producing the event. The last two editions have hosted installations, performances and a screening program to a broad public audience.

Participating artists:
Manon van Trier, Samantha Thole, Tom Milnes, Katja Novitskova, Maartje Smits, Salomé Lamas, Edwin Stolk, Jetske Verhoeven, Eva Marie Rodbro, Sina Khani, Lida Krul, Sayaka Abe, Marc Barreda

e3.50 entry, students free.

http://sandberg.nl/

http://nimk.nl/eng/sandbergnimk-3

http://www.facebook.com/event.php?eid=168300599877016

B.Y.O.B. #2 Athens Kunsthalle

Bring Your Own Beamer group exhibition curated by Angelo Plessas

Athens Kunsthalle, 23 October 2010

Participating Artists: Alexandros Georgiou, Alexandros Psychoulis, Aliki Panagiotopoulou, Amateurboyz, Andreas Angelidakis, Angelo Plessas, Anne de Vries, Billy Rennekamp, Dimitris Foutris, Dimitris Papadatos, Dionisis Kavallieratos, Eftihis Patsourakis, Emile Zile, Irini Karayannopoulou, Ioanna Myrka, Georgia Sagri, Katerina Kana, Kostis Velonis, Lakis & Aris Ionas/The Callas, Mai Ueda, Makis Faros, Mano Plizzi, Maria Papadimitriou, Natasha Papadopoulou, Pantelis Pantelopoulos, Pegy Zali, Petros Moris, Poka-Yio, Rafaël Rozendaal, Sifis Lykakis, Spiros Hadjidjanos, The Erasers, Theo Michael, Theodoros D Giannakis, Vassilis, Patmios Karouk

Saturday 23rd October 2010, 8 p.m.

Kerameikou 28 str., Kerameikos – Metaxourgeio, Athens

Κunsthalle Athena has the honour to host “Bring your own beamer” (BYOB) event, an “exemplary” and crucial gesture supporting creative expression in a period of financial, social and cultural crisis.

“Bring your own beamer” (BYOB) exhibition comprises an edition of a broader set of events organised by different artists in different cities every time. In every occasion the organisers choose the participating artists with the aim to experiment and discover “what will occur in site when it is filled with moving light”.

In this special evening, under the acronym BYOB (a symbolic reference to bring your own booze parties), artists are invited to bring their own beamer and present any work they choose in any place they desire to. It is a case of “presenting” moving images and performances in a DIY context, expected to evolve organically in progress of the evening. Therefore, a significant aspect of BYOB’s concept is to be realized without the financial support of any third parties beyond the immediate participants.

The first BYOB event was held with great success in Büro Friedrich, Berlin with the initiative of Rafaël Rozendaal and Anne de Vries. Now, curated by Angelo Plessas, BYOB makes its second worldwide appearance in Kunsthalle Athena. All the artists will attend the event, even those who are not based in Athens, so you are welcomed to contact them. Complementary to the event and during the night a joined performance will take place by artist Angelo Plessas and japanese artist Mai Ueda followed by DJ sets from Amateur Boys and Emile Zile.

Sans Soleil + DIAL H-I-S-T-O-R-Y Electric Cinema

Electric Cinema presents two striking examples of essay film-making Tuesday evening at the old squatted film academy at Overtoom 301: Chris Marker’s serene and mesmerising Sans Soleil against Johan Grimonprez’s unrelenting history of terrorist airjackings, Dial H-I-S-T-O-R-Y. http://www.electric-cinema.org

Bar at 20:00. Starts: 20:30 hrs. Last Electric Cinema program before cinema renovations and the summer break.

Nightly membership: 4 Euro
OT301 / Overtoom 301 / 1054 HW Amsterdam

Produced and presented by Emile Zile.

The guiding visual thread of the piece is the almost exhaustive chronology of airplane highjackings in the world. The soundtrack is constituted of a fictive narrative inspired by two Don DeLillo novels—White Noise and Mao II—which, for Grimonprez, highlight the value of the spectacular in our catastrophe culture. – http://www.medienkunstnetz.de/works/dial-history/

One connection or reflection in the movie becomes four or five in your mind as you watch Sans soleil or think about it afterwards, as if the filmmaker has sent you on a mission to find out this or that idea or bit of information (the movie is inspirational in a very concrete sense), or to consider something from a different perspective, and still another, and so on; the cinematic equivalent of a stone being thrown into a pond, wherein you are the pond. All this, and Marker still finds room for a melancholy, weary, yet strangely optimistic, exhilarating emotional texture. It also happens to be very funny at times. – http://archive.sensesofcinema.com/contents/directors/02/marker.html

https://youtube.com/watch?v=pBIubMBwj6M