Emile Zile witfully uses the ‘truth’ of video in constant movements of distanciation that reaffirms our position as spectators—in the gallery and in the world—to draw us back with the question: where is the individuality of our self-expression, in a banal act of connectedness?
– Anabelle Lacroix, Curator
Opening reception and artist in Q+A: Saturday 30 May, 3pm
Dates: Friday 29 May – Saturday 13 June 2015
Venue: MARS Gallery, Black Box, 7 James Street, Windsor VIC 3181
Cinedans: Dance on Film festival Amsterdam
SHORTS 8: Urban Film
Sunday 16 March
CINEMA 2, EYE Amsterdam
14 March – 26 April 2014
Opening 13 March, 6-8pm
Ground Floor, 30 Guildford Lane, Melbourne
There’s Emile, part Edward Scissor Hands/part Wu Tang Clan, ably filling the frame with studied awkwardness; not just in a video, On Television. The cognitive dissonance of seeing this for the first time was astonishing: it wasn’t just any TV – it was ultimate prime time chew-cud: The Price is Right. There he is cracking wise with plastic fantastic Larry, playing the game, not giving away the joke, carefully treading the line between performance and reality. A line that, in the wake of the 90s talk show phenomenon, and before reality TVs total dominion, had suddenly become very blurred. It was prescient – a death knell to hackish old analogue, sent from the past to the future, sincere, hysterical and knowing.
Full article available at http://televisionsproject.org/larryemdur/.
Watch Larry Emdur’s Suit at https://vimeo.com/24577604
Melbourne Now celebrates the latest art, architecture, design, performance and cultural practice to reflect the complex creative landscape of Melbourne.
This ambitious and far-reaching exhibition across The Ian Potter Centre: NGV Australia and NGV International presents the various ways in which visual artists and creative practitioners profoundly contribute to the society in which we live, and to Melbourne as a city with a unique and dynamic cultural identity.
‘As part of our critical forum, Video Art in the Internet Era, we asked a series of artists, curators and video brains to send us “video letters” responding to the provocation of our critical forum: how can video artists orient themselves towards or against the complex backdrop of networked technology, smart phones and prosumers of our current world?
Riffing on the YouTube genre of “unboxing”, Emile Zile performed a “boxing” of some usurped analogue technology, the detritus of many a media artists studio.’
Christopher LG Hill‘s paper and usb publication Endless Lonely Planet, launching Friday May 4 at World Food Books Melbourne.
WORLD FOOD BOOKS The Nicholas Building, Studio 19, Level 337 Swanston Street, Melbourne 3000, Victoria, Australia
Endless Lonely Planet is a yearly periodical in print and data featuring Christopher L G Hill, Nicholas Mangan, Evergreen (Olivia Barrett and James Deutsher), Alex Vivian, Joshua Petherick, Kate Newby, Y3K, Review Swapper, Discipline, Bunyip Trax, Matthew Benjamin, S.T. Lore, Virginia Overell, Nicholas Selenitsch, Darren Banks, Elizabeth Newman, VDO, Theodore Whong, Oliver Van Der Lugt, Hessian Jailer, Jason Heller, Olle Holmberg, Justin K Fuller, Matthew Brown, Ardi Gunawan, Counterfeitness First, Emile Zile, Fictitious Sighs, Porpoise Torture, Bum Creek, Simon Denny… and others
Self published by contributors and Christopher L G Hill, and each copy coming with 4GB of data. A special launch price of $15 (AUD) will apply tomorrow night, it will then continue to be available for $20 (AUD) from World Food Books in store and online.
Camera: Ian Elson
Edit: Emile Zile