PhD at Digital Ethnography Research Centre

I’m pleased to announce in February I will be embarking on PhD study at the Digital Ethnography Research Centre (DERC), Royal Melbourne Institute of Technology, Australia.

A 3.5 year practice-based research period to study lens-based performance on video sharing networks, gesture and interface online and the influence of algorithmic cultures on the social body.

The support offered by a Design and Creative Practice ECP scholarship for the duration of the study will greatly support my practical outcomes, including new performance work, large-scale film making projects and exhibitions.

My research blog camerashy.video is now online and serves as a public platform for outcomes related to the PhD.

DERC focuses on understanding a contemporary world where digital and mobile technologies are increasingly inextricable from the environments and relationships in which everyday life plays out.

DERC excels in both academic scholarship and in our applied work with external partners from industry and other sectors.

DERC approaches this world and how we experience it through innovative, reflexive and ethical ethnographic approaches, developed through anthropology, media and cultural studies, design, arts and documentary practice and games research.

Our research is incisive, interventional and internationally leading. Going beyond the call of pure academia we combine academic scholarship with applied practice to produce research, analysis and dissemination projects that are innovative and based on ethnographic insights.

DERC partners and collaborates with a range of institutions in Australia and globally, including other universities, companies and other organisations. This includes collaborative research projects, conferences, symposia and workshops, and international visits, fellowships and publications.

The Digital Ethnography Research Centre (DERC) was established in December 2012 by Larissa Hjorth and Heather Horst with the aim of consolidating and further developing RMIT’s strength in international digital innovation. The Centre is now Directed by Sarah Pink who will be taking it into its second stage of development from 2016.

DERC members are aligned into Labs to represent their research interests, DERC Labs include:

Data Ethnographies Lab
Design+Ethnography+Futures (D+E+F) Lab
Bio Inspired Digital Sensing-Lab (BIDS-Lab)
Digital Transformations Lab
Visual Impact
Migration and Digital Media Lab

All those moments will be lost like tears in the rain

The artists Sarah Burger and Ceel Mogami de Haas are initiating an audio exhibition in relation to their ongoing project Tu’i Malila based on their common interest in the film Blade Runner by Ridley Scott (1982). For the occasion of this procuration at the Médiathèque they relate their research to the polymorphic work of Chris Marker as it is collected in the Fonds Christophe Chazalon at FMAC and invite eight artists to question, redistribute, and interpret it. The exhibition is introduced by Terence Broad’s video work Blade Runner – Autoencoded

Artists:
Sarah Burger, Matthias Gabi, Ana María Gómez Lopez, Alexis Guillier & Méryll Ampe, Arvo Leo, Ceel Mogami de Haas & Mathieu Arbez-Hermoso, Lena Maria Thüring, Emile Zile

With the support of
Ernst und Olga Gubler-Hablützel Stiftung, Fondation Leenards, ProHelvetia, Fondation suisse pour la culture

Médiathèque
Fonds d’art contemporain de la Ville de Genève (FMAC)
Rue des Bains 34
1205 Genève
Switzerland

Ouverture du mardi au samedi de 11h à 18h, ou sur rendez-vous
Ouvert pendant les fêtes du 26 au 30 décembre 2017
T +41 22 418 45 40
www.ville-geneve.ch/fmac-mediatheque
www.ssoabs.ch