I’m pleased to announce in February I will be embarking on PhD study at the Digital Ethnography Research Centre (DERC), Royal Melbourne Institute of Technology, Australia.
A 3.5 year practice-based research period to study lens-based performance on video sharing networks, gesture and interface online and the influence of algorithmic cultures on the social body.
The support offered by a Design and Creative Practice ECP scholarship for the duration of the study will greatly support my practical outcomes, including new performance work, large-scale film making projects and exhibitions.
My research blog camerashy.video is now online and serves as a public platform for outcomes related to the PhD.
DERC focuses on understanding a contemporary world where digital and mobile technologies are increasingly inextricable from the environments and relationships in which everyday life plays out.
DERC excels in both academic scholarship and in our applied work with external partners from industry and other sectors.
DERC approaches this world and how we experience it through innovative, reflexive and ethical ethnographic approaches, developed through anthropology, media and cultural studies, design, arts and documentary practice and games research.
Our research is incisive, interventional and internationally leading. Going beyond the call of pure academia we combine academic scholarship with applied practice to produce research, analysis and dissemination projects that are innovative and based on ethnographic insights.
DERC partners and collaborates with a range of institutions in Australia and globally, including other universities, companies and other organisations. This includes collaborative research projects, conferences, symposia and workshops, and international visits, fellowships and publications.
The Digital Ethnography Research Centre (DERC) was established in December 2012 by Larissa Hjorth and Heather Horst with the aim of consolidating and further developing RMIT’s strength in international digital innovation. The Centre is now Directed by Sarah Pink who will be taking it into its second stage of development from 2016.
DERC members are aligned into Labs to represent their research interests, DERC Labs include:
Data Ethnographies Lab
Design+Ethnography+Futures (D+E+F) Lab
Bio Inspired Digital Sensing-Lab (BIDS-Lab)
Digital Transformations Lab
Migration and Digital Media Lab
The artists Sarah Burger and Ceel Mogami de Haas are initiating an audio exhibition in relation to their ongoing project Tu’i Malila based on their common interest in the film Blade Runner by Ridley Scott (1982). For the occasion of this procuration at the Médiathèque they relate their research to the polymorphic work of Chris Marker as it is collected in the Fonds Christophe Chazalon at FMAC and invite eight artists to question, redistribute, and interpret it. The exhibition is introduced by Terence Broad’s video work Blade Runner – Autoencoded
Sarah Burger, Matthias Gabi, Ana María Gómez Lopez, Alexis Guillier & Méryll Ampe, Arvo Leo, Ceel Mogami de Haas & Mathieu Arbez-Hermoso, Lena Maria Thüring, Emile Zile
With the support of
Ernst und Olga Gubler-Hablützel Stiftung, Fondation Leenards, ProHelvetia, Fondation suisse pour la culture
Fonds d’art contemporain de la Ville de Genève (FMAC)
Rue des Bains 34
Ouverture du mardi au samedi de 11h à 18h, ou sur rendez-vous
Ouvert pendant les fêtes du 26 au 30 décembre 2017
T +41 22 418 45 40
Mining the Cloud
A series of desktop documentaries
Thursday May 26, 7pm
81 Rupert St. Collingwood
Interval presents Mining the Cloud: a series of desktop documentaries by local and international artists.
Charting the multitude of the Internet through the desktop interface, these films and performances record the virtual as real, traversing landscapes that fall outside our visual circuits. From abandoned virtual realities to electronic dumping grounds of Ghana, this is the detritus of late capitalism in a time of rapid technological change.
The desktop documentary is an emerging practice drawing from the disciplines of ethnography, archaeology and contemporary art. Using desktop browsers as both lens and edit suite, these films and performances excavate artefacts from under the “cloud”. These artists respond to the human impulse to navigate, archive, interpret and ultimately control the world around us.
Lettres du Voyant by Louis Henderson (UK)
Lettres du Voyant is a documentary-fiction about spiritism and technology in contemporary Ghana that attempts to uncover some truths about a mysterious practice called “Sakawa” – internet scams mixed with voodoo magic. Tracing back the scammers’ stories to the times of Ghanaian independence, the film proposes Sakawa as a form of anti-neocolonial resistance.
All that is Solid by Louis Henderson (UK)
A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie electronic waste ground in Accra and illegal gold mines of Ghana. The video constructs a mise-en-abyme as critique in order to dispel the capitalist myth of the immateriality of new technology – thus revealing the mineral weight with which the Cloud is grounded to its earthly origins.
Utopia 1.0: Post Neo Futurist Capitalism in 3D! by Annie Berman (US)
A first-person expedition to Second Life, the once thriving virtual 3D online world, in search of what remains. Given the invitation to come build anything imaginable, what is it that we chose to create?
A performance by Emile Zile (AU)
Emile Zile’s performances use new-age healing apps, YouTube monologues and algorithmic portraiture to create audio-visual meditations on augmented spirituality and networked representations of the self.
Artist talk and screening of Western Digital for Sydney Contemporary Art fair
Curated by the Australian Centre for the Moving Image (ACMI), Video Contemporary presented by Samsung, showcases an exciting and diverse selection of video works by artists at the forefront of their field. Curated into six themes (Duality, Constructed Worlds, On Time, Forbearance & Fortitude, Role Play and Material Beings) by Ulanda Blair and Jess Bram, (see full bio here) Sydney Contemporary is delighted to be collaborating with such an innovative and dynamic arts institution on the delivery of this exciting exhibition sector.
Thursday, 10th September 12:30 pm – 1:30 pm
Speakers: Director Carroll/Fletcher, London JONATHON CARROLL, Artist SHAUN GLADWELL, Fair Director BARRY KELDOULIS and Artist EMILE ZILE. Moderated By Senior Curator and ACMI, SARAH TUTTON
Sydney Contemporary, Carriageworks, Video Contemporary Lounge
My 140-character tweet review of the Ryan Trecartin show at NGV, re-presented by NGV social mediators.
Emile Zile witfully uses the ‘truth’ of video in constant movements of distanciation that reaffirms our position as spectators—in the gallery and in the world—to draw us back with the question: where is the individuality of our self-expression, in a banal act of connectedness?
– Anabelle Lacroix, Curator
Opening reception and artist in Q+A: Saturday 30 May, 3pm
Dates: Friday 29 May – Saturday 13 June 2015
Venue: MARS Gallery, Black Box, 7 James Street, Windsor VIC 3181
As part of the ‘Put Up a Signal’ Australia-Indonesia program I will be hosted at MES56 from 11-22 November to create new work and exhibit.
Nayla, Wok the Rock and me practising our wrestling press-kit team pose, 2011.
Thanks to Bus Gallery Melbourne, Mes 56 and Asialink Arts.
4K RED video, 12 minutes
Director of Photography Mikael Brain
Composer and Sound Designer Philip Brophy
ICA London, Sunday 19 January 2013
Curated by Elsa Coustou, Lucia Garavaglia
and Alana Kushnir in collaboration with the ICA
Supported by MFA Curating, Goldsmiths College, University of London
Full details and bookings at http://www.ica.org.uk/35422/Film/Artists-Film-Club-Walking-Sideways.html
In response to the exhibition Fourth Plinth: Contemporary Monument, this Artists’ Film Club presents a selection of moving image works which delve into the social dimensions of architectural monuments. These monuments and their surrounding environments are more than a physical space; they generate individual and collective memories. The works reference the longevity of some built structures and the impermanence of others, exploring how histories are inextricably bound to geography and the synthesis of time.
The screening will feature works by Ludovica Carbotta, Shaun Gladwell, Leopold Kessler, Benjamin Orlow, Deborah Ligorio, David Maljkovic and Emile Zile.
October 4, 17.00 – 19.00
Royal Academy of Art, Den Haag
Performance: Emile Zile
OMG_sisyphus and *best*RapidEssayNSFW!! by Amsterdam-based Australian artist, resident of the Rijksakademie. Live video essays with online and prepared video sources from YouTube, 24hour news streams, scientific trials, viral marketing blips, social software and monologues by .com-era cult leaders to weave an audiovisual portrait of contemporary culture and its acceleration of signs. With tutorials, self-portraiture, factory presets, the ecstasy of viewing and the sadness of YouTube.
Lecture Almila Akdag (UVA)
A theoretical view on the nature of (high/low) art and the art market, and its relation to online art communities. Almila Akdag, from the University of Amsterdam, has received a Veni awardfrom NWO to conduct her own research for 3 years. The project is a combination of the application of various scientific methodologies (mostly social network analysis and analysis of image archives). In this lecture she will talk about DeviantArt, an online community of artists and art appreciators, that plays a nowadays role of the Salon des Refuses. She will show the history of this initiative and highlight its social and organizational structure as well as its impact on the art education for the next generation of artists.
Subtitle Kino (Färgfabriken)
August 18-19 2012
Across one weekend in August, Australian contemporary art initiative BUS Projects will collaborate with Färgfabriken to present an international mobile cinema and contemporary art performance space. Making use of a parked van converted into a mobile event space, SOUTH/SÖDER is curated by Jared Davis and will present a new performative, video and sound-based work in the public site of Liljeholmstorget.
This project draws from an ongoing series of mobile contemporary art and performance events initiated by BUS Projects, that have seen works presented in public sites in Melbourne (State of Design Festival, 2011), Athens (ReMap3, 2011) and Sydney (SafARI, 2012).