Cinedans: Dance on Film festival Amsterdam
SHORTS 8: Urban Film
Sunday 16 March
CINEMA 2, EYE Amsterdam
I am a monk. I am a tourist. Within the street I see the stage for every human conflict and negotiation. Specifically for this video I was interested in contrasting the buddhist principles of mindfullness, meditation, removing yourself from time to the act of photography, grasping for permanence, embalming a moment. The last shot of my 2012 film Jack is a solitary figure passed out in a half-finished Buddhist temple in Footscray, Australia. This film is an oblique sequel.
There’s Emile, part Edward Scissor Hands/part Wu Tang Clan, ably filling the frame with studied awkwardness; not just in a video, On Television. The cognitive dissonance of seeing this for the first time was astonishing: it wasn’t just any TV – it was ultimate prime time chew-cud: The Price is Right. There he is cracking wise with plastic fantastic Larry, playing the game, not giving away the joke, carefully treading the line between performance and reality. A line that, in the wake of the 90s talk show phenomenon, and before reality TVs total dominion, had suddenly become very blurred. It was prescient – a death knell to hackish old analogue, sent from the past to the future, sincere, hysterical and knowing.
Full article available at http://televisionsproject.org/larryemdur/.
Watch Larry Emdur’s Suit at https://vimeo.com/24577604
Amsterdam Art Weekend at IDFA
30 Nov 2PM-4PM, Cinema Tuchinski Amsterdam
This screening will be a 2K DCP version in surround sound.
Melanie Bonajo – ‘Pee on Presidents’, courtesy the artist
Muzi Quawson – ‘Doll Parts’, courtesy Annet Gelink Gallery
Ursula Mayer – ‘Gonda’, courtesy Juliette Jongma, Amsterdam
Emile Zile – ‘Jack’, courtesy the artist
IDFA and the Amsterdam Art Weekend collaborate during the programme Paradocs, the festival’s line-up devoted to video art. Films submitted by galleries participating in this year’s Amsterdam Art Weekend, De Rijksakademie and De Ateliers, will be screened at the Tuschinski cinema.
‘As part of our critical forum, Video Art in the Internet Era, we asked a series of artists, curators and video brains to send us “video letters” responding to the provocation of our critical forum: how can video artists orient themselves towards or against the complex backdrop of networked technology, smart phones and prosumers of our current world?
Riffing on the YouTube genre of “unboxing”, Emile Zile performed a “boxing” of some usurped analogue technology, the detritus of many a media artists studio.’
UNCO – Australian Video
Curated by Ian Haig
‘Five Production Company Logos in 3D’
August 31st – October 12th, 2013
Opening reception: Saturday August 31st, 6 – 9pm
Torrance Art Museum
3320 Civic Center Drive
Torrance, CA 90503
Group show curated by Jean Bernard Koeman
Opens Friday 19 October at W139 Amsterdam
Featuring Stian Adlandsvik, Frank Ammerlaan, Saar Amptmeijer, Leyla Aydoslu, Sara Bjarland, Sven Boel, Kees Boevé, Antonia Breme, Crystal Z Campbell, Melanie Ebenhoch, Johan Henning, Roderick Hietbrink, Jan Hopf, Jeroen van der Hulst, Saskia Noor van Imhoff, Asger Behncke Jacobson, Katrin Kamrau, Daniel vom Keller, Bram Kinsbergen, Joris Kritis, Linda Lenssen, Mahal de Man, Tim Mathijsen, Sofia Montenegro, Xue Mu, Suat Öğüt, Marc Oosting, Olivia Alders Plessers, Thomas Raat, Daniel Rödiger, Fabian Schröder, Rosa Sijben, Kema Spencer, Edward Clydesdale Thomson, Britt Vangenechten, Kasper de Vos, Amanda Wasielewski, Jonas Wijtenburg, Emile Zile, Felicia von Zweigbergk.
Performance for the last event at NIMk/Montevideo.
Archive, Artist, Audience, Voice, Trust.
October 19, 20.00 Keizersgracht 264 Amsterdam
with JODI, Mark Bain, Justin Bennett, Germaine Kruip, Pawel Kruk, Rosa Menkman, Leonard van Munster.
Media Art is dead. Long live Media Art.
August 18-19, 2012
Across one weekend in August, Australian contemporary art initiative BUS Projects will collaborate with Färgfabriken to present an international mobile cinema and contemporary art performance space. Making use of a parked van converted into a mobile event space, SOUTH/SÖDER is curated by Jared Davis and will present a new performative, video and sound-based work in the public site of Liljeholmstorget.
This project draws from an ongoing series of mobile contemporary art and performance events initiated by BUS Projects, that have seen works presented in public sites in Melbourne (State of Design Festival, 2011), Athens (ReMap3, 2011) and Sydney (SafARI, 2012).
For SOUTH/SÖDER, Australian-Latvian artist Emile Zile will exhibit for the first time in Sweden, continuing his work in the area of cinema as a social space, media archeology and live expanded cinema. Zile will present a new cinema-based audiovisual performance that will use three versions of the King Kong story (1933, 1976, 2005) to create a compressed re-telling of this famed cinematic narrative. Extracting separate subtitle tracks from the three feature films and recombining them within one frame, this is a formal observation of the mutations and re-animations of the same storyline in different epochs. The soundtracks of the three films will be mixed live by the artist during the performance. Zile will make use of the Swedish subtitle tracks of the films.
Photo credit: Åke E.son Lindman