Listening Project

Mildura Biennale listening project 2-5 October 2015

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Linked by a pair of ear bud headphones, a couple sit before the camera. I ask them to each select a piece of music, that they are emotionally linked to. They then listen to the music together, one ear each, linked via the extended earbud. I begin the camera rolling and leave the room, telling them to listen to both songs and be seated in front of the camera. The amount of body language they express to the camera is up to them.

Portraits of ‘love and music’ from Mildura ABC News

James Cameron’s Avatar at Channels Festival

James Cameron’s Avatar feature length performance September 19 2015

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In the Epoch of the Near and Far invites contemporary audiences to reframe discussions on digital media. Flipping the much talked-about suggestion that emerging technological forms distort reality on it’s head, the exhibition proposes a relationship which sees our physical and digital lives mutually support and influence each other. Comprising the work of six Australian and international digital and performance artists, In the Epoch of the Near and Far is running as part of the Channels Festival for Australian video art.

The exhibition opens September 19 with a performance from Emile Zile, the Australian born Netherlands based artist whose work is informed by his own navigation of a technologically mediated reality. Featured artist Keith Deverell will also run an Artist in Conversation session on September 24 alongside art historian Dr. Grace McQuilten and exhibition curator Amelia Winata.

In the Epoch of the Near and Far runs from the 18-27 of September at Grey Gardens Projects in Fitzroy and features work from:

Petra Cortright (USA)
Heath Franco (AUS)
Marian Tubbs (AUS)
Emile Zile (AUS/NL)
Keith Deverell (UK/AUS)
Aaron Christopher Rees (AUS)

ACMI Video Contemporary

Artist talk and screening of Western Digital for Sydney Contemporary Art fair

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Curated by the Australian Centre for the Moving Image (ACMI), Video Contemporary presented by Samsung, showcases an exciting and diverse selection of video works by artists at the forefront of their field. Curated into six themes (Duality, Constructed Worlds, On Time, Forbearance & Fortitude, Role Play and Material Beings) by Ulanda Blair and Jess Bram, (see full bio here) Sydney Contemporary is delighted to be collaborating with such an innovative and dynamic arts institution on the delivery of this exciting exhibition sector.

Talk Contemporary
Thursday, 10th September 12:30 pm – 1:30 pm
Speakers: Director Carroll/Fletcher, London JONATHON CARROLL, Artist SHAUN GLADWELL, Fair Director BARRY KELDOULIS and Artist EMILE ZILE. Moderated By Senior Curator and ACMI, SARAH TUTTON
Sydney Contemporary, Carriageworks, Video Contemporary Lounge

Residency at MES56, Jogjakarta Indonesia.

As part of the ‘Put Up a Signal’ Australia-Indonesia program I will be hosted at MES56 from 11-22 November to create new work and exhibit.

http://putupasignal.info/artist

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Nayla, Wok the Rock and me practising our wrestling press-kit team pose, 2011.

Thanks to Bus Gallery Melbourne, Mes 56 and Asialink Arts.

Liquid Architecture tour 2014

Screened: new performance in Melbourne, Brisbane, Sydney and Singapore.

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Liquid Architecture is an Australian organisation for events, exhibitions, performances and situations of the world’s leading artists working with sound.

Once a “sense-specific” festival, interested in listening and the depth of individual sound perception, Liquid Architecture is broadening its focus of concern to engage the social, cultural, political, economic as well as aesthetic frameworks in which sound takes place. Now in its 15th year, Liquid Architecture’s 2014 festival program brings together work from across a range of disciplines to audiences in Melbourne, Sydney, Brisbane, Perth and Singapore. Marking the new direction driven by curators Joel Stern and Danni Zuvela is the festival’s focus on social and conceptual questions, signalling a more sustained engagement with the discourse, sound and practices of contemporary art. This is a move into the investigation of the audible as an expression of the myriad, sometimes inaudible forces enframing, encoding, describing and producing what we hear – whether that is considered music, sound, or noise.

Talks program: public speaking, private thinking, social listening
http://www.liquidarchitecture.org.au/program/stutterances/

“Stop talking about talks” – Christof Migone

Christof Migone gives an artist talk, no a TALK ARTIST
Alessandro Bosetti demonstrates MASK MIRROR
New Waver loads up THE KING OF PPT
Ur 1st Luv propose A SOUND INVESTMENT
Johannes Kreidler adresses THIS TULIP OF WHICH I AM SPEAKING AND WHICH I REPLACE IN SPEAKING
Kusum Normoyle is SILT (Screaming In Lecture Theatre)
Emile Zile performs SCREENED
Makiko Yamamoto is UTTERLY SILENT, UTTER SILENCE, UTTERLY SOMETHING, OR UTTER SOMETHING, THINKING THINKING, UTTERLY LISTENING, UTTERLY UMMM.

Capacity limited to 250 people

RSVP http://www.eventbrite.com.au/o/liquid-architecture-6942295259

In partnership with NGV and ABC Radio National’s Creative Audio Unit.

Further performances of Screened will occur during the Liquid Architecture tour in Brisbane on October 1 at IMA, Sydney October 5 at UNSW Art and Design (COFA), Singapore October 10 at LaSalle College. Full details at http://www.liquidarchitecture.org.au/program/

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Jack installed at Melbourne Now, National Gallery of Victoria

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Melbourne Now celebrates the latest art, architecture, design, performance and cultural practice to reflect the complex creative landscape of Melbourne.

This ambitious and far-reaching exhibition across The Ian Potter Centre: NGV Australia and NGV International presents the various ways in which visual artists and creative practitioners profoundly contribute to the society in which we live, and to Melbourne as a city with a unique and dynamic cultural identity.

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Video Art in the Internet Era. Video Letter #2: Emile Zile

‘As part of our critical forum, Video Art in the Internet Era, we asked a series of artists, curators and video brains to send us “video letters” responding to the provocation of our critical forum: how can video artists orient themselves towards or against the complex backdrop of networked technology, smart phones and prosumers of our current world?
Riffing on the YouTube genre of “unboxing”, Emile Zile performed a “boxing” of some usurped analogue technology, the detritus of many a media artists studio.’

http://www.channelsfestival.net.au/program/forum-video-art-in-the-internet-era/