Review of ‘Five Production Company Logos in 3D’ by Urszula Dawkins in Realtime 103

http://www.realtimearts.net/article/103/10353

Philip Brophy, in his catalogue essay for Five Production Company Logos in 3D, sees Emile Zile’s groin-level gesturing aptly as a ‘spoof’ on masturbatory corporate excess. It strikes me also as a kind of post-mass-media shadow-puppetry, almost as though Zile might be telling us a story around the campfire, his flickering hands casting the shape of mythical battles or god-heroes onto thin air.

Philip Brophy on ‘Five Production Company Logos in 3D’

My new video Five Production Company Logos in 3D is showing in Melbourne at Dianne Tanzer gallery + projects in April 2011. Philip Brophy wrote a catalogue essay available at the show or online at PhilipBrophy_EgoLogos.html

An excerpt…

Emile Zile’s Five Production Company Logos In 3D presents an imaginary ‘real man’ behind these grandiose charades born of selfimportant declaration. Just as design company CEOs probably come in their pants when they look at their Maya-rendered fonts casting shadows on planets, so are Emile’s hands ‘working magic’ as he performs aerial jack-offs synchronised to Adam Milburn’s gilded melodic refrains. His hysterical hand movements hilariously replicate the excessive overload of those corporate logos which move around like Jane Fonda doing Zumba on crack. Best of all, it simply looks like Emile is masturbating as if he uses some amazing technique to whack a super load into our faces. Which is exactly what the proud designers of those gleaming chromed star-cruiser logo-ships imagine they’re doing. And a grand tradition it is, for what is Coke’s ‘dynamic ribbon’ but the allusion to a frothy foaming cum shot.

April 2 – 23, 2011
Diane Tanzer gallery + projects
108-110 Gertrude St. Fitzroy
Melbourne Australia

Southern Hemisphere State of Mind • Museum Night doof at NIMk Amsterdam

Producing the event and performing as DJ Bushdoof this Saturday at Netherlands Institute for Media Art, Amsterdam. Museum Night 2010, from 22.00-02.00. NIMk has a busy public program starting at 7pm, we wind up the night with a big doofing party. Selector Tiny Tim is bringing fresh Jamaican bashment and live MC’s, the visuals are arriving via filetransfer services as I type; Mexico, London, Melbourne, New York and Amsterdam Oost.

http://www.bushdoof.eu/?p=33
http://nimk.nl/eng/museum-night-2010

DJ Bushdoof http://www.bushdoof.eu
Sensiriti Sound w/ MC http://www.myspace.com/sensiritisound
Visuals by
Maximum Rim (Australia) http://moopjaw.tumblr.com
Yoshi Sodeoka (Japan/U.S.A.) http://www.sodeoka.com
TV aka Clickjaw (Mexico/Australia) http://clickjaw.com
Flyer image by Antuong Nguyen of Maximum Rim.

B.Y.O.B. #2 Athens Kunsthalle

Bring Your Own Beamer group exhibition curated by Angelo Plessas

Athens Kunsthalle, 23 October 2010

Participating Artists: Alexandros Georgiou, Alexandros Psychoulis, Aliki Panagiotopoulou, Amateurboyz, Andreas Angelidakis, Angelo Plessas, Anne de Vries, Billy Rennekamp, Dimitris Foutris, Dimitris Papadatos, Dionisis Kavallieratos, Eftihis Patsourakis, Emile Zile, Irini Karayannopoulou, Ioanna Myrka, Georgia Sagri, Katerina Kana, Kostis Velonis, Lakis & Aris Ionas/The Callas, Mai Ueda, Makis Faros, Mano Plizzi, Maria Papadimitriou, Natasha Papadopoulou, Pantelis Pantelopoulos, Pegy Zali, Petros Moris, Poka-Yio, Rafaël Rozendaal, Sifis Lykakis, Spiros Hadjidjanos, The Erasers, Theo Michael, Theodoros D Giannakis, Vassilis, Patmios Karouk

Saturday 23rd October 2010, 8 p.m.

Kerameikou 28 str., Kerameikos – Metaxourgeio, Athens

Κunsthalle Athena has the honour to host “Bring your own beamer” (BYOB) event, an “exemplary” and crucial gesture supporting creative expression in a period of financial, social and cultural crisis.

“Bring your own beamer” (BYOB) exhibition comprises an edition of a broader set of events organised by different artists in different cities every time. In every occasion the organisers choose the participating artists with the aim to experiment and discover “what will occur in site when it is filled with moving light”.

In this special evening, under the acronym BYOB (a symbolic reference to bring your own booze parties), artists are invited to bring their own beamer and present any work they choose in any place they desire to. It is a case of “presenting” moving images and performances in a DIY context, expected to evolve organically in progress of the evening. Therefore, a significant aspect of BYOB’s concept is to be realized without the financial support of any third parties beyond the immediate participants.

The first BYOB event was held with great success in Büro Friedrich, Berlin with the initiative of Rafaël Rozendaal and Anne de Vries. Now, curated by Angelo Plessas, BYOB makes its second worldwide appearance in Kunsthalle Athena. All the artists will attend the event, even those who are not based in Athens, so you are welcomed to contact them. Complementary to the event and during the night a joined performance will take place by artist Angelo Plessas and japanese artist Mai Ueda followed by DJ sets from Amateur Boys and Emile Zile.

BOOMBOOM BUSHDOOF

Emile Zile (AU/LV) and Vela Arbutina (CH) play pre-recorded repetitive beat music that you can dance to.

N0 M0RE! th0se t|mes are 0ver. |NSTANT DANCE ENJ0YMENT SP|RTUAL HEAL|NG 100%!!!! Bel|eve!!!!D|d y0u ever th|nk….. |t d0esnt w0rk!? N0w |t d0es! Ha 4real! Read 0n–B00MB00MBUSHD00F th|s w|ll help,My l0ved fr|ends t0ld me: “b0red0m and med|0cr|ty equals b0red0m and med|0cr|ty” t0 wh|ch | had 0ne replyDANCE ENJ0YMENT SP|RTUAL HEAL|NG 24 H0urs 0NLY w|th 0ur B00MB00MBUSHD00F!!!!Try |t N0W!… t0 g00d t0 be tr00? | th0uhgt s0 t00  ….at f|rst. Try |t n0w. Be welc0me t0 y0ur new l|ves-style.

http://www.palaisparadiso.nl
http://www.bushdoof.eu

ADACHI Tomomi + Jaap BLONK • Steim, Amsterdam

https://youtube.com/watch?v=QAfTV97vdfU

http://www.steim.org/STEIMBLOG/?p=871

the brutal immediacy of the voice, the ability it has to inspire fleeting recollections of forgotten characters

it’s animalistic sonic attack, the elemental nature of a cry

inherently humorous and intimate

both performers began their solo sets with renditions of dada and futurist sound poems from their respective countries, the transportation of voices through epochs… return to the voice, to the first and last gasp, the formless expulsion of air and communication