Arthritic After Effects. Cinema 4D in flesh. Flexible 3D modelling.
Showing at Diane Tanzer Gallery + Projects Melbourne, April 2-23 2011
https://emilezile.com/video/five-production-company-logos-in-3d



Emile Zile is an artist, filmmaker and performer.
Arthritic After Effects. Cinema 4D in flesh. Flexible 3D modelling.
Showing at Diane Tanzer Gallery + Projects Melbourne, April 2-23 2011
https://emilezile.com/video/five-production-company-logos-in-3d
This Friday night I will be in Eindhoven, providing musical accompaniment to Alexei Shulgin (386DX!) and Amy Alexander’s performances during the opening night of the Funware exhibition at Mu. Artists exhibiting include Adrian Ward, Amy Alexander, Annina Ruest, Bob Zimbinski, Carmen Weisskopf / Domagoj Smoljo / Roger Wigger, Christoph Haag / Franziska Windisch / Ludwig Zeller / Martin Rumori, Colin Green / Matthew Fuller / Simon Pope, Dave Griffiths / Aymeric Mansoux / Marloes de Valk, David Link, Electroboutique, Gazira Babeli, Joan Leandre, JODI, Jon Satrom / Ben Syverson, RTmark, Runme.org.
Freaks run the world. It is through fun that they invent what becomes our reality, even if their jokes are later updated to guide matters in unappetizing ways. Our society is built and managed by software. To understand how we can act in relation to such systems and how they are made, we need to get a sense of the energy that drives software, the energy based on fun. We can come closer to these practices through the territories that are in-between geeky humour, digital folklore, cultures of using conventional software, artistic software and history of computation. It is in the fact that exploration takes place through fun and the bizarre territories always exist that there is a hope for an open horizon.
Read an interview with curator Olga Goriunova on Rhizome http://rhizome.org/editorial/3843
Full details at http://www.mu.nl/?cl=uk
Producing the event and performing as DJ Bushdoof this Saturday at Netherlands Institute for Media Art, Amsterdam. Museum Night 2010, from 22.00-02.00. NIMk has a busy public program starting at 7pm, we wind up the night with a big doofing party. Selector Tiny Tim is bringing fresh Jamaican bashment and live MC’s, the visuals are arriving via filetransfer services as I type; Mexico, London, Melbourne, New York and Amsterdam Oost.
http://www.bushdoof.eu/?p=33
http://nimk.nl/eng/museum-night-2010
DJ Bushdoof http://www.bushdoof.eu
Sensiriti Sound w/ MC http://www.myspace.com/sensiritisound
Visuals by
Maximum Rim (Australia) http://moopjaw.tumblr.com
Yoshi Sodeoka (Japan/U.S.A.) http://www.sodeoka.com
TV aka Clickjaw (Mexico/Australia) http://clickjaw.com
Flyer image by Antuong Nguyen of Maximum Rim.
One night exhibition in Berlin, hosted by Anne de Vries and Rafael Rozendaal.
21:00, Tuesday July 20 2010. Bureau Friederich Holzmarktstraße 14 Berlin.
http://bringyourownbeamer.tumblr.com
https://emilezile.com/installation/spielberg-on-kubrick/
AIDS-3D ALEXANDRA DOMANOVIC ANDREAS ANGELIDAKIS ANDREW KEATON ANGELO PLESSAS ANNE DE VRIES BILLY RENNEKAMP CONSTANT DULLAART DAFNA MAIMON DARRI LORENZEN EMILE ZILE HAYLEY SILVERMAN HELGA WRETMAN JAIME WHIPPLE JULIETTE BONNEVIOT KARI ALTMANN KATJA NOVITSKOVA KINGA KIELCZYNSKA LINDSAY LAWSON MAI UEDA MIKE RUIZ OLIVER LARIC RAFAËL ROZENDAAL SPIROS HADJIDJANOS TIMUR SI-QIN VOIN DE VOIN WOJCIECH KOSMA
DJ/VJ set for Netherlands Institute for Media Art’s evening of demonstrations and presentations of new interfaces, models of interaction and performance technology.
At this evening session the Interface Studies Group will present the ‘interface’ as the centre of technology mediated experience and will reveal trends, notions and tangible prototypes that stretch and challenge the still predominant screen – spectator arrangement.
In contrast with traditional cinema and TV, in what may be called the ‘post-PC’ era, mobile and haptic interfaces and Reactive Environments are putting the embodied presence of the user back on stage. By engaging other senses and modalities such as touch, voice, movement and mobility and by taking into account the user’s sensorial and affective dimensions, new forms of interaction, knowledge production, and forms of sociality are made possible.
Location: Netherlands Media Art Institute (NIMk)
Keizersgracht 264, Amsterdam. www.nimk.nl
Date: Friday June 18, 2010
Doors Open 8:00 p.m.
Program Begins 8:30 p.m. (in English)
Entrance free, Please Register at elena@salto.nl
Bart Rutten of the Stedelijk invited me to come up with a short film introduction and live visual mix for this upcoming conference on museum as content creator. Thinking of Zabriskie point slow-motion explosions of the Guggenheim, youtube tourist videos from outside the represented museums, postcards and snapshots, classicism and iconography. Free entry, reserve via doku.arts@mediafonds.nl
June 11, TrouwAmsterdam, Witbautstraat 127, 1091 GL Amsterdam
http://www.doku-arts.com/2010/program/seminar_artcasting.html
12.30 coffee and tea / visual prologue Emile Zile
Emile Zile is an artist and performer engaged with popular screen iconography, hybrid performance and single-channel video.
13.10 lecture Margriet Schavemaker, Head of Collections, Stedelijk Museum Amsterdam
A critical analysis of the history of the intricate relationships between museums and media productions: from the early films and television productions up to the latest digital presentations of moving images on the internet and locative media.
13.45 lecture Jane Burton, Head of Content and Creative Director, Tate Media
Besides the wide variety of Tate Media productions and its online platform from which these moving images (lectures, interviews and documentation of exhibitions) are broadcast, Jane Burton will discuss the new Tate plans to produce a feature animation film.
14.45 lecture Anne-Michèle Ulrich, Director audio-visual department, Centre Pompidou
Centre Pompidou is coproducer of the film on Alexander Calder, presented by Doku.Arts. Anne-Michèle Ulrich will present a new iPhone application, and show a preview of the new internet channel centrepompidou.tv, which will premiere in November 2010.
A critical retrospective of the first year of Arttube will be offered, tuning in on the pros and cons, and focusing on the development of this media channel from marketing tool to ‘curatorial depth’.
My regular screening night returns with films that were scheduled in May, but delayed due to Icelandic gods of vulkan interruption. Full details at http://www.electric-cinema.org
Tuesday 8 June 2010 at Overtoom 301 Amsterdam
Final Flesh 90′ dir. Vernon Chatman 2009 U.S.A.
House 88′ dir. Nobuhiko Obayashi 1977 Japan
From the creator of Xavier: Renegade Angel and Wonder Showzen, Final Flesh – a feature film made by commercial porn companies commissioned to visualise the sexual fantasies of the client. This movie replaces the sex with metaphysical dialogue, cum shots with cold meat, intercourse with brain-damaged philosophy. A murky, awkward trip to suburban fantasies, existentialist longing for meaning and antibacterial hand cream. The second film on the bill is an optically intense, Japanese teen-comedy ghost film ‘House’, Dario Argento circa Suspiria meets Sound of Music on acid. Beware of singing watermelons and carnivorous pianos.
https://youtube.com/watch?v=vmhyfXFtyGE
BUSH “BUSHMAN COMETH” DOOF this Saturday night (00:00-02:00) in Amsterdam.
Last ever party in the current location of the Service Garage.
REVISIT EXQUISIT
Duo-tentoonstelling Kaleb de Groot & Roosje Klap
(laatste tentoonstelling op de huidige locatie van de Service Garage)
Opening: zaterdag 29 mei, 20:00 uur Muziek: Nathalie Bruys & Emile Zile
Geopend: 29 mei t/m 20 juni, woensdag t/m zondag 12:00-18:00
Finissage: zondag 20 juni
Emile Zile (AU/LV) and Vela Arbutina (CH) play pre-recorded repetitive beat music that you can dance to.
N0 M0RE! th0se t|mes are 0ver. |NSTANT DANCE ENJ0YMENT SP|RTUAL HEAL|NG 100%!!!! Bel|eve!!!!D|d y0u ever th|nk….. |t d0esnt w0rk!? N0w |t d0es! Ha 4real! Read 0n–B00MB00MBUSHD00F th|s w|ll help,My l0ved fr|ends t0ld me: “b0red0m and med|0cr|ty equals b0red0m and med|0cr|ty” t0 wh|ch | had 0ne replyDANCE ENJ0YMENT SP|RTUAL HEAL|NG 24 H0urs 0NLY w|th 0ur B00MB00MBUSHD00F!!!!Try |t N0W!… t0 g00d t0 be tr00? | th0uhgt s0 t00 ….at f|rst. Try |t n0w. Be welc0me t0 y0ur new l|ves-style.
http://www.palaisparadiso.nl
http://www.bushdoof.eu
Dafna Maimon’s take on arts industry workers, recent art school graduates, art guards and the dreams and fears of the people at the frontline of cultural institutions. The protagonists use black parcan theatre lights on mic stands to frame their monologues. A white light too strong. Lights. Camera. Action.The repetitious scenes were almost nausea inducing in their hammy under/overacted delivery. Exquisitely bland dialogue, sometimes directed to audience members or the unwitting gallery visitor who becomes part of the narrative. Tiny, intoxicating scenes that would be repeated over the course of an hour.
Inane moving of lights. Incessant moving of the framing devices. The power a directed light has to focus energy and create an immediate stage is profound. The spotlight gives license to the characters to deliver lines in much the same way that social networking platforms or micro-blogging services gives licence to transmit little traumas, everyday desires and narcissistic impulses. These individuals prepare their monologues for the amorphous mass, one liners that are both media-conscious and personal. They recite language to the ether, not a directed conversational language, but a never-ending stream of quotes, self-critical comments and weak commands. The dialogue of mediated individualism. I felt we were trapped in the lucid daydreaming IM chats of bored gallery sitters and wannabe curators.
Melodramatic pauses and romantic dialogue interspersed with asides to the audience “If this was a film I would be shot over the shoulder in medium close-up”. Characters moving in highly artificial arcs. The pacing is drawn out and gives ample room for slippage, coincidences and accidents. A character sighs and delivers a highly breathy and despairing “Help. The website is stuck again”. This is anti-depressant operatic tragedy set to the scale of 21st century comment culture.
09/01/10. W139, Warmoesstraat 139, Amsterdam
Directed by Dafna Maimon
Performers: Anu Vahtra, Lot Meijers, Steven de Jong, Timothy Moore