Emile Zile is an artist, filmmaker and performer.
BUSH “BUSHMAN COMETH” DOOF this Saturday night (00:00-02:00) in Amsterdam.
Last ever party in the current location of the Service Garage.
REVISIT EXQUISIT
Duo-tentoonstelling Kaleb de Groot & Roosje Klap
(laatste tentoonstelling op de huidige locatie van de Service Garage)
Opening: zaterdag 29 mei, 20:00 uur Muziek: Nathalie Bruys & Emile Zile
Geopend: 29 mei t/m 20 juni, woensdag t/m zondag 12:00-18:00
Finissage: zondag 20 juni
Emile Zile (AU/LV) and Vela Arbutina (CH) play pre-recorded repetitive beat music that you can dance to.
N0 M0RE! th0se t|mes are 0ver. |NSTANT DANCE ENJ0YMENT SP|RTUAL HEAL|NG 100%!!!! Bel|eve!!!!D|d y0u ever th|nk….. |t d0esnt w0rk!? N0w |t d0es! Ha 4real! Read 0n–B00MB00MBUSHD00F th|s w|ll help,My l0ved fr|ends t0ld me: “b0red0m and med|0cr|ty equals b0red0m and med|0cr|ty” t0 wh|ch | had 0ne replyDANCE ENJ0YMENT SP|RTUAL HEAL|NG 24 H0urs 0NLY w|th 0ur B00MB00MBUSHD00F!!!!Try |t N0W!… t0 g00d t0 be tr00? | th0uhgt s0 t00 ….at f|rst. Try |t n0w. Be welc0me t0 y0ur new l|ves-style.
http://www.palaisparadiso.nl
http://www.bushdoof.eu
a day-long symposium on the changing nature of cultural development, ‘amateurism’ vs. ‘professionalism’, the shifting sands of creative consumption and critical construction… gatekeepers now left with no-one at the gates… playlist curatorial selections and niche/long tail sales techniques… for a long time it has been sensed that artists are the new curators, filters that set signs into collision, to paraphrase Bourriaud. i’m interested to to see what this gathering has to say on the consumer as curator, and how the curators see it…
please note: ‘Captcha’ as logo
speakers include Bruce Sterling, Rick Poynor and Metahaven.
produced by the Breda Graphic Design Museum, headed up by Mieke Gerritsen
hosted by Koert van Mensvoort of the always excellent nextnature.net
While museums are developing strategies to digitalise their collections, online cultural production is growing steadily, with hundreds of thousands of new images posted each day. A lot of potentially interesting work is being produced online, which never reaches the physical world. The distribution of this high quality work is increasingly decentralised, leaving museums, foundations and professional magazines at a loss on how to redefine their role as gatekeepers. On the other hand, the time spent daily behind the computer on internet networking is pushing the demand for a physical experience of our fleeting culture. Designers, artists, mediators and policy makers need to redefine their position, because new technologies define to a large extent today’s possibilities and means of presentation and archiving. The search is for new quality criteria, new frames of references, and alternative methods for enabling connections between the virtual and the physical space of today’s culture.
Practical information:
19/12/2009
Location: Paradiso, Amsterdam (Weteringschans 6)
Entrance: €25, €10 (studenten) english spoken
Reservations: symposium@graphicdesignmuseum.com
Advanced sales: AUB ticketshop amsterdam/ticket service nederland
Contact information:
graphic design museum
t +31 (0)76 529 99 00
www.graphicdesignmuseum.com
**playing alongside noisy luminaries ov the szene**
FX, MIC, MIDI X HARD DISK MELTDOWN X JACK 2 THIS X JUMP UP TRANCEHALL
http://www.dnk-amsterdam.com/index.cgi?dept=AGENDA&article=5
https://youtube.com/watch?v=QAfTV97vdfU
http://www.steim.org/STEIMBLOG/?p=871
the brutal immediacy of the voice, the ability it has to inspire fleeting recollections of forgotten characters
it’s animalistic sonic attack, the elemental nature of a cry
inherently humorous and intimate
both performers began their solo sets with renditions of dada and futurist sound poems from their respective countries, the transportation of voices through epochs… return to the voice, to the first and last gasp, the formless expulsion of air and communication
A late upload following recent activity, travel and shows. I found some time to go through a pile of unlabelled documentation dv tape from recent trips. Two performances included here, Marclay’s ‘Screenplay’ videoscore and Mengbo’s performative quake mod ‘Q2008’, recorded on hot, humid nights during last year’s E-Arts festival in Shanghai. These were highly enjoyable public open air concerts with grandparents, kids and media art enthusiasts congregating in the corner of a large public park, I have written about it in more detail here https://emilezile.com/?p=93
