An invitation arrived to respond to Yoko Ono’s instructional film scripts. The suggestion of a film. Film as it exists in a proposition, an invitation, a request to think. ‘Visualise peace’ Yoko says. Visualise film. #summerofyoko
Q. Which Yoko piece(s) are you responding to and how?
A. I am taking Yoko Ono’s current day Twitter feed as an unrequited instruction set. I follow Yoko Ono and Yoko Ono follows me.
Q. If we imagine a spectrum in which predetermined structures, scores, instructions sit at one end and spontaneity, intuition, improvisation at the other – where does your work sit in that spectrum? Or is that spectrum faulty to begin with?
A. I have a structure within the walls of the MCA. The technology of the image projection. The design of the seats. We have voice, light, human will. I feel energised by unbridled human energy in tightly controlled environments.
Postscript. I don’t believe in freedom in art. It can only be given by imposing a structure or rule set upon it. There is no freedom. There is no restraint.
‘I follow Yoko and Yoko follows me’
Museum of Contemporary Art Sydney
6 February 2014, 6:00-9:00pm
There’s Emile, part Edward Scissor Hands/part Wu Tang Clan, ably filling the frame with studied awkwardness; not just in a video, On Television. The cognitive dissonance of seeing this for the first time was astonishing: it wasn’t just any TV – it was ultimate prime time chew-cud: The Price is Right. There he is cracking wise with plastic fantastic Larry, playing the game, not giving away the joke, carefully treading the line between performance and reality. A line that, in the wake of the 90s talk show phenomenon, and before reality TVs total dominion, had suddenly become very blurred. It was prescient – a death knell to hackish old analogue, sent from the past to the future, sincere, hysterical and knowing.
Full article available at http://televisionsproject.org/larryemdur/.
Watch Larry Emdur’s Suit at https://vimeo.com/24577604
Melbourne Now celebrates the latest art, architecture, design, performance and cultural practice to reflect the complex creative landscape of Melbourne.
This ambitious and far-reaching exhibition across The Ian Potter Centre: NGV Australia and NGV International presents the various ways in which visual artists and creative practitioners profoundly contribute to the society in which we live, and to Melbourne as a city with a unique and dynamic cultural identity.
Amsterdam Art Weekend at IDFA
30 Nov 2PM-4PM, Cinema Tuchinski Amsterdam
This screening will be a 2K DCP version in surround sound.
Melanie Bonajo – ‘Pee on Presidents’, courtesy the artist
Muzi Quawson – ‘Doll Parts’, courtesy Annet Gelink Gallery
Ursula Mayer – ‘Gonda’, courtesy Juliette Jongma, Amsterdam
Emile Zile – ‘Jack’, courtesy the artist
IDFA and the Amsterdam Art Weekend collaborate during the programme Paradocs, the festival’s line-up devoted to video art. Films submitted by galleries participating in this year’s Amsterdam Art Weekend, De Rijksakademie and De Ateliers, will be screened at the Tuschinski cinema.
Friday, June 28 2013
ARTBAR by Tully Arnot
4K RED video, 12 minutes
Director of Photography Mikael Brain
Composer and Sound Designer Philip Brophy
ICA London, Sunday 19 January 2013
Curated by Elsa Coustou, Lucia Garavaglia
and Alana Kushnir in collaboration with the ICA
Supported by MFA Curating, Goldsmiths College, University of London
Full details and bookings at http://www.ica.org.uk/35422/Film/Artists-Film-Club-Walking-Sideways.html
In response to the exhibition Fourth Plinth: Contemporary Monument, this Artists’ Film Club presents a selection of moving image works which delve into the social dimensions of architectural monuments. These monuments and their surrounding environments are more than a physical space; they generate individual and collective memories. The works reference the longevity of some built structures and the impermanence of others, exploring how histories are inextricably bound to geography and the synthesis of time.
The screening will feature works by Ludovica Carbotta, Shaun Gladwell, Leopold Kessler, Benjamin Orlow, Deborah Ligorio, David Maljkovic and Emile Zile.
December 1-2, 2012
1018 GW Amsterdam