Image credit: Ikea Roof Terrace detail, Joe Hamilton 2014
Experimenta Social is a series of talks, discussions and demos to provide proximity to some of Australia’s most adventurous contemporary artists, researchers and creative technologists.
This artist led series is curated and hosted by Emile Zile in collaboration with Experimenta and explores practices at the nexus of Art and technology, science, culture and design. You will hear from artists sharing their latest projects and researchers presenting projects that grapple with the concerns of our time. Beyond inconsequential debates over the role of Media Arts in a post-media world, Experimenta Social will combine activated audiences drawn from contemporary art, social research, electronic art and non-professional spheres for lively debate and discussion.
Experimenta Social will take place every second Wednesday from mid-August:
17th and 31st August, 14th and 28th September, 12th and 26th October
ACMI X Studio, Level 4, 2 Kavanagh Street, Southbank, VIC 3006.
Session 2: DRAMATURGY OF NEW MEDIA
Uniting dramatic energy and new media technologies is not a new challenge. Artists have consistently explored the overlap of technology and drama. From Italian Futurists privileging the new sounds of 1910s new media, namely the car and the machine gun, to 1960s developments around democratised broadcast technologies and the opening of video art to the body as exemplified by Nam-June Paik and Charles Atlas.
Working at the intersections of performance, installation and new technology Martyn Coutts and Matthew Sleeth will unpack their elaborate individual practices and delve into what rehearsal decisions make technology invisible, how do technical advances drive creative decision making and what is the potential for media art on stage.
Matthew Sleeth is an Australian artist living and working between Melbourne and New York City. His conceptually driven practice uses a range of media, including sculpture, photography, video and public installation. In 2015 Sleeth directed A Drone Opera which featured unmanned aerial vehicles in an experimental multimedia performance featuring
drones, their pilots and opera singers, combined with a new sound score, laser light design and moving image. A Drone Opera also featured collaborators Kate Richards, Robin Fox, Phil Samartzis, Susan Frykberg. http://sleeth.info/
Martyn Coutts is an Australian interdisciplinary artist concerned with ideas of the live, the interactive and the mediated body. His work has been shown in theatres, online, public space and galleries throughout Australia and the Asia Pacific. His works include Operation, Computer Boy and I Think I Can with Blood Policy, the Wayfarer series of works with Kate Richards, Thrashing Without Looking with Aphids, Visible City (the keynote project of the 2010 Melbourne Fringe) and SAC35 for Salamanca Arts Centre. http://www.martyncoutts.com/
Session 1: MAPPING AND TRACKING GLOBAL SYSTEMS
Citt Williams is currently a PhD candidate at Digital Ethnography Research Centre RMIT and is researching large-scale mapping of global systems such as climate change, animal migration and ecosystem modification. With a background in filmmaking, policy development and environmental science she has developed and shot independent documentaries in India, Nepal, Tajikistan, Siberia, Japan, Papua New Guinea, France, Borneo and Australia. From 2003-2005, Citt was the Executive Producer at the Central Australian Aboriginal Media Association.
Joe Hamilton is a Melbourne-based artist working at the intersections of big data, global imaging and Capitalist Realism. Hamilton is part of a new movement of post-photographic artists that have less use for a camera than a database. Sourcing raw material from stock photography, open source mapping data and a 3D scanning techniques, Hamilton’s work uncovers a sense of contemporary visuality that privileges machine processing over the lens’ humanist inheritance.
This is a free event.
This project is supported by the Besen Family Foundation and the City of Melbourne, and presented in conjunction with ACMIx